So, why
didn't any of us ever have sex with a Frenchman? (Spoiler alert! Damn. I should
have saved that one for the end. I should've been like, "Will Shoshanah
give birth to a French love child? Find out next time...")
The offers for sexual intercourse in Paris just kept
pouring in. By the third day there, we were keeping a tally. We were lingering
at Champs-Elysée, and some confident young guy sauntered up and said some
romantic nonsense. Before Zgjenyue even let him down, she turned to me and
said,
"That's
twenty-seven."
"Wait,
you're counting now?"
"Yeah,
I've been thinking about it. I'm pretty sure that's twenty-seven."
And so it
went. We were American girls, and we were young. And they were men. French men.
American
boys would never ask to have sex with us- at least, not directly. An American
boy might say, "You're beautiful," or maybe, "You have a nice
ass," or possibly, "Those ivory tower Communists need to get down
here and kick it with the people, you know?" And then you knew. He wanted
to have sex with you.
France
was clearly a different country. For some reason, Frenchmen were just very
intent on closing the deal, like,
right away. This was jarring, at first, to us genteel American girls.
And it
wasn't just that. It was just everything.
There's this American movie called The Breakfast Club.
In The Breakfast Club, five American teenagers from different social
circles are forced to endure a Saturday detention with one another. At one
point the Jud Nelson character (so hot) is hassling the Molly Ringwald
character, asking her if she's ever "done it." He says, (I'm paraphrasing
from memory here,)
"It's
a double edged sword. If you say you have done it, you're a slut, and if you
say you haven't done it, then you're a tease." Everyone starts yelling at
Molly Ringwald to answer his question,
"Have
you done it?"
"Have
you done it?"
"Just
answer the question, Claire!"
"Answer
the question!"
"Answer
the question!" and she finally starts screaming,
"NO!
I HAVEN'T DONE IT, OKAY?! I NEVER DID IT!"
Or
something like that. That was how it was, in the late eighties, in high school
in America. But I left and went to my last year of high school in Sweden. And I
always thought that, if The Breakfast Club were a Swedish teen movie, Den
Frukosta Klubben, it would have gone like this:
Entire
"Have you done it?" conversation deleted. (Nobody would care.)
Extensive sex scene between Jud Nelson and Molly Ringwald doing it, full on nudity, with lots of giggling in the broom
closet. Students ride bicycles home afterwards. (In real life, Molly Ringwald
would later move to France.)
After
several months in Sweden, I realized that Swedish teens had about the same
amount of sex as American teens, it's just that the Swedish teens had no shame
about it. I had been warned before going to Sweden,
"Watch out! Sex is like a handshake to them in
Sweden!"
Which was
not true at all. Sex is like a normal part of human development in Sweden.
Mothers say things about their children like,
"Can
you believe Kristin is already having boys spend the night? They grow up so
fast!"
I,
however, never had sex in Sweden, because nobody liked me there. I figured it
must have been because I was hideously ugly and generally deformed, in a
non-specific way. Looking at pictures of me from the time, you can see that
it's true.
(I'm the redhead.
[Yes, I know it's a black and white photo, but you just know who the redhead
is, don't you? It's like knowing Ralph Fiennes's eyes were blue in Schindler's
List. It was a black and white
film, but you remember his eyes in color, don't you?])
Also, in
Sweden they had this movie they showed in school that said to never have sex
with foreigners, because we all had AIDS. It was much ridiculed among the
students, but nevertheless adhered to strictly. AIDS had not yet come to Sweden
in 1991, and they were intent on keeping it that way- and there I was from the
San Francisco Bay Area, den of vice, where we practically invented AIDS.
Of course, all of the foreigners in the Swedish Sexual Instruction Video were
French. Those Swedish sex educators knew something that I didn't (that French
men were horn dogs who loved foreigners).
So,
assuming as I did that I was hideously ugly, it was especially surprising and a
little bit scary to have so many men interested in me in Paris. Zgjenyue and I
started discussing what it might be that was attracting all of these men to us.
Ludmilla just kind of stood by and listened, not offering much. She didn't talk
much in general.
This is
the first time we ever talked about attracting men. Ever. One of the things I
really liked about Zgjenyue and about Ludmilla is that they never talked about
hair, cosmetics, sex, whom they thought was attractive, what clothes they wore,
or really anything like that. They didn't listen to love songs. They didn't read
romance novels. They didn't care. Ludmilla read sci fi and listened to movie
soundtracks, but only instrumental movie soundtracks. When asked about music,
she would go on at length about how annoying it was that they were actually
putting songs into movies, now, songs with words, and it was harder and harder
to find a good instrumental track. Zgjenyue listened to Nine Inch Nails and
read the same book, Mommy Dearest, over and over again, every weekend.
Also, she deeply enjoyed the writings of the Marquis de Sade- which made it
especially exciting for her to come to Paris. I'm not even going to try and
explain that. The point is: they were not romantic girly girls.
Although, I
should mention that Zgjenyue, about ten minutes before we left San Francisco,
had suddenly lost her awkward teenage persona and become really attractive and
mysterious looking. She had this interesting combination of olive skin and red
hair. (By some strange coincidence, we all three of us had red hair: I was a
strawberry blond, Ludmilla had reddish brown hair, and Zgjenyue’s hair was a
deep auburn.)
She wore her black heart on her sleeve, which I think
made her all the more attractive. Or, at least, that was what I would've thought,
but according to the French men, no. She was the least pursued. The number of
sexual propositions went like this:
1.
Ludmilla got the most attention.
2. I got
the second most attention.
3.
Zgjenyue got the least attention (which was still a huge amount of attention).
So, we
set about trying to figure out what it was about us that attracted these men.
Looking around us, it didn't look like the women of Paris were constantly
harassed.
"What's
different about us?" I asked.
"Whatever
it is, Ludmilla has it in Spades," said Zgjenyue. Sitting on the train,
Ludmilla blushed and still had that slight smile on her face. We were on our
way to the Musée de Rodin, because Rodin was one of my favorite artists of all
time. We exited the subway car and started up the escalator. "Look at the
women, while we go up. What's different about them?"
Beside us was a full escalator going down, as we
ascended. I openly stared at all of the women. I didn't comment until street
level.
"They
don't smile!" said Zgjenyue.
"They
all wear black!" I said.
"They
look mean," said Ludmilla.
"I
think it's the smiling," said Zgjenyue. "Ludmilla smiles the most. I
think that's it!"
"I
think you're right!"
"Let's
practice not smiling."
Have you
ever stood on a busy street in Paris, on a rainy Spring day, with your two best
friends, on a grand adventure, and tried not to smile? Yeah, so, it didn't
work. Ludmilla was especially comical because she thought she was not smiling but she actually still was.
The
security at the Musée de Rodin took my umbrella but not my Swedish hunting
knife, which would prove to be the norm throughout the week. They always
returned the umbrella when you left. There must be something I'm really missing
about umbrellas and their detrimental effects on art.
Rodin's
work was strangely disappointing in person. It was commonplace. The Thinker was
there, forever thinking. It was too solid. I wanted something gravity defying,
but there it was, grounded to the earth, when I wanted to fly away.
We ate dinner at some cheap American burger place, where
you could get a disgusting burger called, "Le Big." A man was
drinking a beer and smoking at the table next to us. Pigeons were eating fries
off the sidewalk. Ludmilla ate Zgjenyue's fries. They were truly disgusting fries.
Mostly, it was the ketchup. The ketchup in France is not ketchup. Just not. We
walked over to the Seine and looked at all of the bridges crossing over it. The
air was misty. It was beautiful in the way that only Paris is beautiful. But
the men would not leave us alone.
"Such
a beautiful day, such a beautiful river, perhaps you would like to make love
here?"
"No."
We walked
away, quickly, with nowhere to go.
"Maybe
if we go down to that walkway down by the river, that might be nice."
So we
went down, and by the river were droves of couples kissing, petting, making out
in ways that Jud Nelson in The Breakfast
Club never even dreamed of. Also, three guys (Number 36, 37, and 38) had
followed Ludmilla down to the riverbank with us.
"Jesus!
What is wrong with these people?" said Zgjenyue. "You can't go
anywhere without seeing it or being asked to do it."
"Let's
go back up," I said. "It was better up there."
"Let's
just walk a little ways. Maybe it won't be as bad a little ways up."
It was
totally as bad a little ways up.
We went to a park and started watching some young guys putting on a play. They seemed to be having a dress rehearsal. It was a comedy. We were laughing and then they just stopped the play and asked if we wanted to go back and party with them. But we didn't want to go back and party somewhere with them. We just wanted to watch their little play.
We went
over to a bench and bemoaned that we could not just watch their play.
There was
a man with a baby in a baby stroller nearby. Zgjenyue started talking with him,
and I had a bad feeling about it. She was saying what a cute baby he had and
pretty soon he was asking her to sleep with him at naptime. We got up and left.
"I
thought it was safe! He had a baby!" she said.
"I
know. I know," I said.
Ludmilla
walked a little ways behind us, enjoying the milieu.
On the
way home to our hotel that evening, there was one truly nice man. We met this
man, a black man who spoke perfect English, who told us all about his family
heritage. He was kind in a way we had taken for granted in America.
"You might think, looking at me, that I am a new
immigrant to this country, but my family goes back eight generations
here." And he told us about islands and uprisings and marriages and all
sorts of wonders of another world totally different from ours. He gave us some
advice about places to see in Paris. It was a long and pleasant ride on the
train. All of this, he said in English. He was lovely.
"What
brings you to France?" asked the kind man.
"Frankly,"
said Ludmilla, "I'd rather be in Germany."
Thank you
for reading this excerpt from, Avoiding
Sex with Frenchmen: A Picture Book for Adults, by Shoshanah Lee Marohn. If
you enjoyed this, you may also enjoy reading the rest of Avoiding Sex with Frenchmen, which is available at amazon.com.
No comments:
New comments are not allowed.